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Tuesday, July 30, 2013

PDF Ebook Synopsis of the Four Gospels in EnglishBy John Bernard Orchard

PDF Ebook Synopsis of the Four Gospels in EnglishBy John Bernard Orchard

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Synopsis of the Four Gospels in EnglishBy John Bernard Orchard

Synopsis of the Four Gospels in EnglishBy John Bernard Orchard


Synopsis of the Four Gospels in EnglishBy John Bernard Orchard


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Synopsis of the Four Gospels in EnglishBy John Bernard Orchard

Book by Orchard

  • Sales Rank: #3514205 in Books
  • Brand: Brand: Mercer Univ Pr
  • Published on: 1982-03
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 294 pages
Features
  • Used Book in Good Condition

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Friday, July 26, 2013

Ebook Bella Tuscany: The Sweet Life in Italy, by Frances Mayes

Ebook Bella Tuscany: The Sweet Life in Italy, by Frances Mayes

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Bella Tuscany: The Sweet Life in Italy, by Frances Mayes

Bella Tuscany: The Sweet Life in Italy, by Frances Mayes


Bella Tuscany: The Sweet Life in Italy, by Frances Mayes


Ebook Bella Tuscany: The Sweet Life in Italy, by Frances Mayes

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Bella Tuscany: The Sweet Life in Italy, by Frances Mayes

Review

"A love letter to Italy written in precise and passionate language of near poetic density...A book to treasure, as the author so clearly treasures the life she engraves on our hearts."--Susan Jacoby, Newsday"Fall in love again with the charming people and countryside of Cortona in this evocative follow-up to Under the Tuscan Sun."--People"Mayes displays a gift for conveying everyday life through her writing...Perfect for those with the yen but not the means for a second home...Mayes presents a simpler, less frantic version of how to live one's life."--USA Today"Frances Mayes is, before all else, a wonderful writer...She never loses sight of the fact that millenniums-old Tuscany, with its immemorial customs and folkways, is not to be domesticated or made familiar.  Her Italy remains intransigently foreign, exotic, a continuing revelation of strangeness and unexpected beauties."--Chicago Tribune

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From the Inside Flap

Frances Mayes, whose enchanting #1 "New York Times bestseller Under the Tuscan Sun made the world fall in love with Tuscany, invites us back for a delightful new season of friendship, festivity, and food, there and throughout Italy. A companion volume to Under the Tuscan Sun, Bella Tuscany is Frances Mayes's passionate and lyrical account of her continuing love affair with Italy. Now truly at home there, Mayes writes of her deepening connection to the land, her flourishing friendships with local people, the joys of art, food, and wine, and the rewards and occasional heartbreaks of her villa's ongoing restoration. It is also a memoir of a season of change, and of renewed possibility. As spring becomes summer she revives her lush gardens, meets the challenges of learning a new language, tours regions from Sicily to the Veneto, and faces transitions in her family life. Filled with recipes from her Tuscan kitchen and written in the sensuous and evocative prose that has become her hallmark, Bella Tuscany is a celebration of the sweet life in Italy.

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Product details

Paperback: 304 pages

Publisher: Broadway Books (April 4, 2000)

Language: English

ISBN-10: 076790284X

ISBN-13: 978-0767902847

Product Dimensions:

5.3 x 0.7 x 8.1 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

155 customer reviews

Amazon Best Sellers Rank:

#79,250 in Books (See Top 100 in Books)

Glad I got this from the library. I hadn't read the first book, but saw the movie Under the Tuscan Sun. I found the book rather confusing at the beginning--it's like she just plunked you down in Italy and you were supposed to know about "Ed" (WHO is he? Husband, boyfriend?) and the gardner.....don't remember anything about gardening in the movie, but the book starts out with all this talk about plants and gardens. The book is 286 pages and I'm on page 80 and not sure I can read anymore. Seems like a catalog of plants, trees, museums. I thought I would get to know the Italian culture but this book seems so shallow. After reading other reviews, apparently it gets worse with her whining, so I'm not real motivated to finish it. Never did understand where she got all the money to just up and move to Italy in the first place and spend unlimited funds on renovating a house. Skip this book.

The author’s writing style and ability to capture the nuances in everyday life had me traveling alongside her with every step she took, feeling the hot breezes and tasting the tomatoes. I love her dishes and serving style. I think I shall have to buy some colorful platters!

Another excellent book by Frances Mayes. Follow up book to Under the Tuscan Sun, more details about Italy and different places that she travels to. She is not afraid to go on mini adventures across Italy and she always talks about the non commercial areas, like the hidden restuarants where all the locals go. Descriptions of the areas and food are always plentiful without going overboard.

Although I am not finished with it yet, it is more of the same wonderfully lyrical writing that I found in Under the Tuscan Sun. I am thoroughly enjoying this book, and taking my time to read it, like savoring a fine wine. If you liked Tuscan Sun, you will love this one!

This book was not as engaging as "Under the Tuscan Sun" which was Frances Mayes first book on her experiences in Italy. I found the chapters to be way too long. I don't know why this matters, but it just struck me that way. Maybe some ideas were "over covered"? However, this book had it's own charm.I did find her discussions of meals and food to be a bit too much at times. I guess too many details that attempt to display her growing knowledge of the local cuisine, that are not useful facts to me as a reader. Also the recipes are limited for use in the average suburban home here, as the ingredients are not that common. However, this was true for Under the Tuscan sun as well. It just did not seem to be emphasized as much.Her momentary concentration on the "Mafia" in Italy, I was prepared for as I read previous reviews. Her vehemence struck me as been one that one feels when they find a flaw in a cherished item. Her illusions of Italy are ones of an idyllic place and the presence of the Mafia or anything that does not fit that, obviously struck a dissonant chord with her. She may very well be relating the opinions and attitudes of the people around her and not just her own. I find it hard to think that these opinions as a foreigner here were not influenced by the local people she deals with. Some of the comments struck me as ones only a local could perceive.What I did find a bit rude was her characterizations of some of her visitors. I certainly hope this was shared with them prior to publication. Like Ann Landers says you can't be taken advantage of if you don't allow yourself to be (or something like that).If you are looking for more on Bramasole, this book may disappoint. This book featured more of her trips beyond Cortona and even into Venice. Some people may find her self-absorption a bit over done at times, as she relates bits of her childhood and life outside of Italy. However, I found it interesting to see how the "other half" lives. I liked her way of relating her current thoughts with past actions. Like collections and family life. It is nice to get into her head. I think we all do that to some extent and when we get a glimpse of what another thinks, it shows first that we are not so weird after all, but just how different or similar another's experiences are.I guess what makes these books special to me is her way of describing the day to day surroundings as an American would see them. This I feel makes them real for me. She is going in with American expectations and when these are different she relates this. I then feel like I have been there right along with her. I wonder how a local feels when they read some of this?All in all, it was a decent follow on to Under the Tuscan sun. Not as good, but close. The couple of pictures on the dust cover and the diagrams inside helped flesh out the area she was referring to. The engagement calendar, does an even better job at that.I have bought the next book she does on her life in Italy (In Tuscany)and am about to start it. I feel she has a lot to offer as a writer. In Bella Tuscany, she experimented a bit more in her writing, with some successes and failures. I hope to see how she reacted to Bella Tuscany's impact with "In Tuscany". Also I'm looking forward to the pictures included in "In Tuscany" to further flesh out this world.

I always enjoy the books Frances Mayes writes and really enjoyed this one. I had read that this book tended to have too much detail but for me it described Italy perfectly and I loved her recipes and discription of all the areas and her beautiful Bramasole grounds.

Such a fabulous, leave-your-mundane-world-behind kind of read. Swept me away, AND there are recipes!

Love the visit to Tuscany which recalls wonderful memories of a brief visit there. Makes me long for a chance to experience the charming adventures of Frances and Ed. This story allows the next best thing.

Love that Frances Mayes...she writes the perfect memoir. This one is more of the "sweet life in Italy", complete with her musings about life and food and gardening. Winter reading at its finest!

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Saturday, July 13, 2013

Ebook Download The music of the TemporalistsBy André Pogoriloffsky

Ebook Download The music of the TemporalistsBy André Pogoriloffsky

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The music of the TemporalistsBy André Pogoriloffsky

The music of the TemporalistsBy André Pogoriloffsky


The music of the TemporalistsBy André Pogoriloffsky


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The music of the TemporalistsBy André Pogoriloffsky

A Parisian drugstore owner (André Pogoriloffsky), a man in his early fifties, who is also a skilled amateur piano player, experiences a two year long mental trip to a parallel (Temporalist) world, as an avatar. He will soon find out that he was purposely "imported” there in order to be taught the basics of that culture’s music theory. Pogoriloffsky is permanently accompanied by a local musicologist – Jean-Philippe, an expert in the European musical tradition – and, for a while, initiated by an old psychologist (Herr Sch… etc.) in the cognitive aspects of Temporalist music theory. The two men ask Pogoriloffsky to memorize as much as he is capable to from the theoretical notions that he is presented with so that, once returned to Paris, be able to transcribe all that information for the use of his own musical culture. In order to become more familiarized with Temporalist music and musical interpretation, in the following months Pogoriloffsky tours an important number of music schools, universities, musical libraries, concert halls and audition rooms or is encouraged to attend various lectures and conferences.The music of the Temporalists describes a journey into a parallel world that is populated with humans like us who just happened to have cultivated music as "the art of time” and not as "the art of sounds”. Pogoriloffsky recounts all that experience with honesty, doing his best to meet his two guides’ expectations. For this reason, with a very few exceptions, he only describes Temporalist music theory, pedagogy and practice – ignoring most of the unusual things that the parallel world (in which he spends more than two years) surprised him with.The book is composed of a 30 pages long fictional introduction, a 115 pages long description of the Temporalist music theory (and history), a 10 pages long fictional ending and a table of references.Evidently, the main focus of the book resides in the music theory chapters that contain a perceptual approach towards the way humans process the many possible aspects of discrete, musical time. The theory is the result of a 20 year long effort by its author to define an alternative system for the classical bar-rhythmical theory. In order to achieve that, he had to read literally thousands of pages of scientific contributions, articles and books on time perception/cognition and rhythm production – all that being consequently filtered down to a standalone theory, presented in the main section of the book.Thus, along the 28 theoretical chapters the book presents all the perceptual thresholds extant in the 20-3000 ms per musical pulsation range, along with the musical implications of each and every such threshold. It also introduces many other perceptual phenomena (e.g. entrainment, chunking, subjective accentuation, pulsatory inertia, temporal gap perception etc.), thus mapping all the aspects of temporal discretization that are relevant from a musical point of view.In order to achieve cohesion and accessibility, the theoretical system is presented as if it already constituted the basis of a complex, hands-on, musical tradition.The inherent shortcomings of this kind of fictional musicology are well counterbalanced by the fact that musicians who will read the book will benefit from the fact that the theory is presented as a real, fully functional system. It could never be stressed enough the fact that, despite the unusual approach, the theory itself is all but 100% based on real perceptual phenomena substantiated by the many scientific studies mentioned above and detailed in the list of references.

  • Amazon Sales Rank: #925577 in eBooks
  • Published on: 2011-11-28
  • Released on: 2011-11-28
  • Format: Kindle eBook

Review Although ostensibly a theoretical text, Pogoriloffsky's book employs a fictional narrative in order to transport the reader to a place where their assumptions might be experienced without bias. As the book's protagonist, he is initiated in the world of the 'Temporalists' in a manner reminiscent of Borges. Here, the reader encounters a world that mirrors ours, albeit with some important musical differences. In taking this imagined world to the realm of the absurd, Pogoriloffsky creates a vehicle for understanding a specific idea in our world.-- Sean Lowry (academia.edu/7506760/Are_We_There_Yet)Pogorilowski's musical conceptions clearly come across as hard earned, serious and very well considered. The man has really done his homework, and the book's accompanying bibliography could keep you reading for a good couple of years. It offers a great resource. Pogorilowski's contribution adds a systematic bent that might encourage & enable musicians to more deliberately cultivate time in new ways in their own work.-- Patrick Brennan (Arteidolia - arteidolia.com/pogoriloffsky-time-outside-patrick-brennan/)Very thoroughly researched and well presented. This book opens up a world of, as yet, untapped compositional possibilities. If nothing else, the authors exhaustive research into the psychological perception of music, rhythm and tempo, makes this book worth a read. The theoretical discipline of western 'classical' music is perhaps a little guilty of having focussed too much on the harmony side of music with a distinct lack of treatises on rhythm, tempo and time. Here's one book that seeks to address the balance.-- Cliff Bradley (composer - cliffbradleymusic.com/music/home.html)This interesting book describes a journey into a parallel world that is populated with humans who just happened to have cultivated music as "the art of time" and not as "the art of sounds". It's a fascinating fantasy world sure to engage any musician or music learner!-- Eugene Cantera (dlp Music Program)Every now and then a creative different look at something we think we really know comes along. "The music of the Temporalists" book qualifies in the different-creative-way category of music theory books.-- Mark Polishook (pianist)Within an imaginary frame an alternative to the classical bar-rhythm theory is proposed, based on an empirical study of key phenomena of temporal discretization, including entrainment, chunking, subjective accentuation, pulsatory inertia, and temporal gap perception.-- Jadranka Vazanova (Senior editor - Répertoire International de Littérature Musicale)What if Western music understanding was developed to emphasize pulse and tempi rather than melodies and harmonies? What if there were a common, constructed understood speeds or tempos at the same level as octave division into twelve equal intervals, carved in stone of Bach's "The Well-Tempered Clavier"? This has André Pogoriloffsky tried to find out in the fresh book "The Music of the Temporalists".-- Maja Solveig Kjelstrup Ratkje (ratkje.no/2015/06/temporalistene/)[...] this is a remarkable book, combining weird fiction, musicology, and acoustical science; truly one of a kind. Enjoyable and recommended for all.-- James J. O'Meara (If You Could See What I Hear: The "Music" of "André Pogoriloffsky")The author clearly has a strong, idiosyncratic thesis underlying his work; however, it painfully lacks the skills to organize and elaborate his vision with clarity or cohesion.-- Charles Pope Jr. (ConcertoNet - concertonet.com/scripts/livres.php?ID_cd=3648)This book is worth reading. Unique and highly creative, the author blends investigative music theory with fiction in an arresting way.-- Franklin Stöver (Composer/Orchestrator/Lexicographer)What is fascinating about the "Music of the Temporalists" is the fact that it might be the first truly musical imaginary novel in the history of literature. As a literary experiment this is a unique and wondrous experience to read.-- Moritz Eggert (Neue Musikzeitung - blogs.nmz.de/badblog/2016/10/01/)

From the Author * Cheapest pocket size edition (under $14) available here: createspace.com/5254017 (discount code - $6 off: SGMFVXEG).* The book may also be borrowed, for free, through the Amazon Prime program:amazon.com/gp/prime

From the Back Cover Pogorilowski's musical conceptions clearly come across as hard earned, serious and very well considered. The man has really done his homework, and the book's accompanying bibliography could keep you reading for a good couple of years. It offers a great resource. Pogorilowski's contribution adds a systematic bent that might encourage & enable musicians to more deliberately cultivate time in new ways in their own work. -- Patrick Brennan (Arteidolia) Very thoroughly researched and well presented. This book opens up a world of, as yet, untapped compositional possibilities. If nothing else, the authors exhaustive research into the psychological perception of music, rhythm and tempo, makes this book worth a read. The theoretical discipline of western 'classical' music is perhaps a little guilty of having focussed too much on the harmony side of music with a distinct lack of treatises on rhythm, tempo and time. Here's one book that seeks to address the balance. -- Cliff Bradley (composer) Very curious and refreshing to meet a new look upon the western music theory world. I am well trained in music theory, but I still got a lot of eye-openers and surprises in this book. The writing has a good balance between complex music theory and some good-humored stories. Brilliant book - highly recommended! -- Terje Winther (composer) Every now and then a creative different look at something we think we really know comes along. "The music of the Temporalists" book qualifies in the different‑creative‑way category of music theory books. -- Mark Polishook (pianist)[...] this is a remarkable book, combining weird fi ction, musicology, and acoustical science; truly one of a kind. Since most readers will fi nd the long sections on acoustic phenomena as good as jibberjabber anyway, it took a special kind of genius to decide to present it in the context of a Lovecraftian journey [...]. Enjoyable and recommended for all.-- James J. O'Meara(If You Could See What I Hear: The "Music" of "André Pogoriloffsky")

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