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Tuesday, April 22, 2014

Download Ebook I'm BoredBy Michael Ian Black

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I'm BoredBy Michael Ian Black

There is NOTHING boring about being a kid, but one little girl is going to have to prove it in this anything-but-boring eBook with audio from comedian Michael Ian Black.

Just when a little girl thinks she couldn’t possibly be more bored, she stumbles upon a potato who turns the tables on her by declaring that children are boring. But this girl isn’t going to let a vegetable tell her what’s what, so she sets out to show the unimpressed potato all the amazing things kids can do. Too bad the potato is anything but interested….
This tongue-in-cheek twist on a familiar topic is sure to entertain anyone who’s ever been bored—or had to hear about someone else being bored—and is filled with comedian Michael Ian Black’s trademark dry wit, accompanied by charismatic illustrations from newcomer Debbie Ridpath Ohi.

  • Sales Rank: #852562 in eBooks
  • Published on: 2012-09-04
  • Released on: 2012-09-04
  • Format: Kindle eBook

From Booklist
When a wispy-haired girl, bored out of her mind, comes across a potato, she finds he is bored, too. She would be happy to hang out with him, but the potato thinks “kids are boring.” The little girl attempts to prove him wrong by showing him all the fun things kids can do, like “spin around in circles until we get so dizzy we almost throw up” or pretend to be a famous ballerina or a lion tamer. But our spud is not impressed. Even when the girl hilariously throws on a potato costume, he remains steadfastly ho-hum. Ohi’s digitally created girl is a real charmer as she skips and twirls across the pages; the fantasy elements, rendered in pale blue and set on a crisp white background, nicely contrast the two full-colored characters, and the potato humorously pops up in the fantasies from time to time—for example, as a monkey’s coconut or as the head on a snowman. This is a super silly story. But, hey, at least it’s not boring. Preschool-Grade 2. --Ann Kelley

Review
I’m Bored

By Michael Ian Black and illustrated by Debbie Ridpath Ohi

(SSBFYR; ISBN 9781442414037; September 2012)



It looks to be the ultimate ennui smackdown: a bored-out-of-her-gourd kid vs. an equally jaded potato. Then the potato accuses the girl of being the source of its boredom. “What are you talking about?” demands the feisty pigtailed human. “Kids are fun!” “Prove it,” says the potato. And almost as fast as you can say “reverse psychology,” the girl shows that she is in fact a wellspring of fun: playing games, doing “ninja kicks” and other acrobatics, turning ordinary objects into fantastic props (an overturned laundry basket becomes a snow-capped mountain in her imagination), and engaging in pretend play that encompasses everything from being a ballerina to... a potato. “Boring,” responds the potato each time, before the girl storms off. But not to worry: what goes around comes around. Black (A Pig Parade Is a Terrible Idea) keeps this simple concept funny all the way through its final, LOL zinger. Debut illustrator Ohi’s minimalist, scraggly digital drawings are anything but boring, and speak volumes about irritation, desperation, and disdain. Ages 3–8.

--Publishers Weekly, July 9, 2012, *STAR

* "Black (A Pig Parade Is a Terrible Idea) keeps this simple concept funny all the way through its final, LOL zinger. Debut illustrator Ohi’s minimalist, scraggly digital drawings are anything but boring, and speak volumes about irritation, desperation, and disdain."--Publishers Weekly, starred review

I'M BORED
Author: Black, Michael Ian
Illustrator: Ohi, Debbie Ridpath

Review Issue Date: August 1, 2012
Online Publish Date: July 22, 2012
Publisher:Simon & Schuster
Pages: 40
Price (Hardcover ): $16.99
Publication Date: September 18, 2012
ISBN (Hardcover ): 978-1-4424-1403-7
Category: Picture Books

A kid and a tuber dispute what is and isn’t boring, to no particular avail.
The beginning’s fun. A scowling, cartoon-style girl with a large head and sideways pigtails flops from one dramatic posture to another, complaining, “I’m bored. / Bored. Blaaaaaaaaaaaaaaaaah. / I’m so BORED!” White space surrounds her. From nowhere, a potato appears. This girl must really live in white-space-land, because she’s initially thrilled: “Hey! A potato!” Then she rejects it and tosses it upwards. It falls, bonks her on the head and sits on the ground. “I’m bored,” announces the suddenly anthropomorphic potato in one of two genuinely funny moments. Previously unable to entertain herself, the girl labors to prove she’s interesting. She demonstrates cartwheels, ninja kicks and imagination games—lion taming; dragons and swords; forcing the potato to walk a pirate-ship plank—all of which Ohi sketches in pale blue. The surly potato stubbornly remains bored. Their argument ends without satisfaction or vindication; the girl yells, mouth wide and black like in Peanuts, and departs in frustration. There’s one more funny moment—not the appearance of a random flamingo (flamingos being, inexplicably, the potato’s only interest in life), but the flamingo’s closing complaint. Yep: “I’m bored.” Turnabout’s fair play, but the whole piece feels like a smarmy lesson about how annoying it is when someone insists on boredom.
Ironically, boring. (Picture book. 3-5)
Kirkus Reviews, August 1, 2012

BLACK, Michael Ian. I’m Bored. illus. by Debbie Ridpath Ohi. 40p. S & S. Sept. 2012. Tr $16.99. ISBN 978-1-4424-1403-7; ebook $12.99. ISBN 978-1-4424-5325-8.
K-Gr 2–Languishing on the floor of her bedroom in a funk, a girl is momentarily distracted by a potato, but then laments, “What am I supposed to do with a potato?!!” In a funny twist, the testy tater complains about being stuck hanging out with a child. The youngster’s ire is raised and she enthusiastically takes up the challenge of proving that children are anything but dull. Her cartwheels, ninja kicks, imaginary lion-taming adventures, and proclamations that “Kids can do ANYTHING!!!” all fail to impress the blank-faced spud, who delivers the same verdict–“Boring…Snoring.” In the last laugh, the potato does get its comeuppance. Ohi’s captivating, digitally created illustrations are full of wit and charm. The girl appears as a blue swirling cyclone with pigtails flying, hands sticking out, and a pink heart as she spins in circles. The text size and layout also keep pace with her frenetic antics. Quirky and fun to read aloud, this book is a sure antidote for cases of ennui.–Linda Ludke, London Public Library, Ontario, Canada
SLJ, September 2012

I’m Bored

By Michael Ian Black and illustrated by Debbie Ridpath Ohi

(SSBFYR; ISBN 9781442414037; September 2012; Fall Catalog)

“I’m Bored,” by Michael Ian Black, stars a little girl and a potato. As the story begins, the girl tells us she is bored. A potato is the only thing in sight. But, as she says while throwing the potato up in the air, “what can you do with a potato?” The potato falls, strikes her on the head, then declares, “I’m bored!” The talking spud claims it’s bored because it only has a little kid to play with.” (It would rather have a flamingo.) Offended, the girl begins explaining to the potato why children are fun: they can play games, walk on their hands, pretend and so on. To each suggestion the potato replies with one word: “Boring.” (Once, its response varies: “Snoring.”) Unable to convince the potato of her own worth, the girl walks off in a huff. Enter a flamingo, static and probably plastic, minus a lawn, just as the potato is minus its couch. (It won’t matter, by the way, if children don’t get this joke.) The potato is excited to meet it, only to be told by the stiff pink bird: “I’m bored.” The implication is clear: Those who cannot or choose not to move, to play, to think for themselves are always bored and are, in turn, boring to be with. Could this mean you? Your friends? Your parents? Black wisely avoids the temptation to point fingers, leaving it up to his young readers to make that call. Black is a comedian and actor (“Stella,” “The State”) when not writing children’s books (“A Pig Parade Is a Terrible Idea”), and he tells his story in sprightly fashion. The illustrator Debbie Ridpath Ohi convincingly draws a child full of life, a potato full of—well, potatotude, and computer drawings that look just like good old-fashioned linocuts. Her smart cartoony artwork matches Black’s perfect comic timing, making for a fun ride that should leave you amused, perhaps pensive, and no longer bored.

--New York Times Book Review, September 16, 2012

  Michael Ian Black "tells his story in sprightly fashion. The illustrator Debbie Ridpath Ohi convincingly draws a child full of life, a potato full of—well, potatotude, and computer drawings that look just like good old-fashioned linocuts. Her smart cartoony artwork matches Black’s perfect comic timing, making for a fun ride that should leave you amused, perhaps pensive, and no longer bored." (New York Times Book Review)

"Ohi’s captivating, digitally created illustrations are full of wit and charm.... Quirky and fun to read aloud, this book is a sure antidote for cases of ennui." (School Library Journal)

A Notable Children's Book Of 2012 (The New York Times Sunday Book Review)

"[Michael Ian] Black, a comedian, has become a fine children's book storyteller.... Readers will not be bored." (The New York Times Book Review)

"Beautifully written by Michael Ian Black and gorgeously illustrated by Debbie Ridpath Ohi... It has the courage to go unfashionably old-school and suggest that our imagination, not our gadgets, is the only cure [for boredom].... Both the writing and the illustrations are fearless." (The Globe & Mail)

"Fans of Mo Willems’ Elephant and Piggie series will delight in the latest book by American comedian Michael Ian Black, illustrated by Toronto graphic artist Debbie Ridpath Ohi. Echoing Willems, Black’s story is constructed around the dialogue of an unlikely couple, in this case a small girl and a potato. The text is perfectly complemented by Ohi’s quirky minimalist drawings." (Quill & Quire)

"Sometimes a picture book gets it just right. And by 'it,' I mean clever concept, smart execution and all-around child-friendly vibe. It’s rare for one of those picture books to have been written by a so-called celebrity author—someone who made a name for him or herself in Hollywood and then decided to write children’s books—but Michael Ian Black has proven to be the exception to the rule." (Julie Danielson Kirkus Reviews blog)

"Black...tells his story in sprightly fashion. The illustrator Debbie Ridpath Ohi convincingly draws a child full of life, a potato full of — well, potatotude, and computer drawings that look just like good old-fashioned linocuts. Her smart cartoony artwork matches Black’s perfect comic timing, making for a fun ride that should leave you amused, perhaps pensive, and no longer bored." (The New York Times Sunday Book Review)

"Genuinely funny moments.... [The girl] demonstrates cartwheels, ninja kicks and imagination games—lion taming; dragons and swords; forcing the potato to walk a pirate-ship plank—all of which Ohi sketches in pale blue."--Kirkus Reviews

About the Author

Michael Ian Black

Michael Ian Black is a writer, comedian, and actor who currently appears on Another Period, The Jim Gaffigan Show, and Wet Hot American Summer: First Day of Camp. He created and starred in many television series, including Michael and Michael Have Issues, Stella, and The State. He wrote the screenplay for the film Run, Fatboy, Run and wrote and directed the film Wedding Daze. Michael regularly tours the country as a stand-up comedian and is the bestselling author of the book My Custom Van (and 50 Other Mind-Blowing Essays That Will Blow Your Mind All Over Your Face), the memoir You’re Not Doing It Right, and the children’s books Chicken Cheeks, The Purple Kangaroo, A Pig Parade Is a Terrible Idea, I’m Bored, Naked!, and Cock-a-Doodle-Doo-Bop. Michael lives in Connecticut with his wife and two children.

Debbie Ridpath Ohi

Debbie Ridpath Ohi is the author of Where Are My Books?. Her illustrations also appear in Sea Monkey and Bob, written by Aaron Reynolds; I’m Bored (New York Times Notable Book) and Naked!, written by Michael Ian Black; as well as ten Judy Blume chapter books and middle grade titles. For more info, visit DebbieOhi.com or @InkyElbows on Twitter.

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Sunday, April 6, 2014

Download PDF El Padre Nuestro: Lord's Prayer (Spanish Edition)By Thomas Watson

Download PDF El Padre Nuestro: Lord's Prayer (Spanish Edition)By Thomas Watson

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El Padre Nuestro: Lord's Prayer (Spanish Edition)By Thomas Watson

El Padre Nuestro: Lord's Prayer (Spanish Edition)By Thomas Watson


El Padre Nuestro: Lord's Prayer (Spanish Edition)By Thomas Watson


Download PDF El Padre Nuestro: Lord's Prayer (Spanish Edition)By Thomas Watson

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El Padre Nuestro: Lord's Prayer (Spanish Edition)By Thomas Watson

Thomas Watson (c. 1620-1686) fue uno de los predicadores más populares de Londres durante la era puritana. Sus obras se caracterizan por su claridad, su viveza y su riqueza espiritual. Y en ningún otro sitio se constata como en esta utilísima exposición del Catecismo Menor formulado por la Asamblea de Westminstger. La edición en tres volúmenes (de los cuales este es el tercero) ofrece una guía idónea a la doctrina y la praxis cristianas, y sirve asimismo como una maravillosa introducción a la literatura puritana.

En El Padrenuestro, Watson analiza detalladamente el prefacio a la oración y las seis peticiones que contiene. Su análisis de las palabras {venga tu reino} es excepcionalmente profundo, esclarecedor y emocionante. Tal como sucede con todos los grandes libros acerca de la oración, proporciona una ayuda práctica porque se concentra en la enseñanza bíblica.

  • Sales Rank: #1576552 in Books
  • Published on: 2013-12-10
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 1.36" h x 5.32" w x 8.58" l, 1.38 pounds
  • Binding: Paperback
  • 576 pages

About the Author
Thomas Watson (c. 1620-1686), the Puritan preacher and author, was probably born in Yorkshire, although the exact place and date of his birth are unknown. He studied at Emmanuel College, Cambridge (BA, 1639; MA, 1642), where he was apparently a diligent student. Certainly his intellect is apparent in his writings, which show a profound grasp of the English language, as well as a solid understanding of Hebrew, Greek, and Latin. He quotes from the early church fathers, and his familiarity with the breadth of the scriptural canon is stunning. Cross-references from the entire biblical corpus are sprinkled throughout his sermons, revealing a deep understanding of many texts obscure to most modern day Bible students. A solid understanding of history, botany, medicine, physics, the classics, logic, and various trades are revealed in his sermons.

After living for a time with the Puritan family of Lady Mary Vere, the widow of Sir Horace Vere, Baron of Tilbury, in 1646 Watson went to St. Stephen s, Walbrook, London, where he served as lecturer for about ten years, and then as rector for another six years. In about 1647, he married Abigail Beadle, daughter of John Beadle, an Essex minister of Puritan convictions. They had at least seven children in the next thirteen years, four of whom died young.

During the Civil War, Watson began expressing his strong Presbyterian views. He had sympathy for the king, however. He was one of the Presbyterian ministers who went to Oliver Cromwell to protest the execution of Charles I. Along with Christopher Love, William Jenkyn, and others, he was imprisoned in 1651 for his part in a plot to restore the monarchy. Although Love was beheaded, Watson and the others were released after petitioning for mercy.

Watson was formally reinstated to his pastorate in Walbrook in 1652. Spurgeon says of him:

he executed for nearly sixteen years the office of a faithful pastor with great diligence and assiduity. Happy were the citizens who regularly attended so instructive and spiritual a ministry. The church was constantly filled, for the fame and popularity of the preacher were deservedly great. Going in and out among his flock, fired with holy zeal for their eternal welfare, his years rolled on pleasantly enough amid the growing respect of all who knew him.
With the Act of Uniformity in 1662, Watson was ejected from his pastorate. He continued to preach in private whenever he had the opportunity. In 1666, after the Great Fire of London, Watson prepared a large room for public worship, welcoming anyone who wished to attend. After the Declaration of Indulgence took effect in 1672, Watson obtained a license for Crosby Hall, Bishopsgate, which belonged to Sir John Langham, a patron of nonconformists. Watson preached there for three years before Stephen Charnock joined him. They ministered together until Charnock s death in 1680.

Watson kept working until his health failed. He then retired to Barnston, in Essex, where he died suddenly in 1686 while engaged in private prayer. He is buried in the same grave as his father-in-law who served as a minister at Barnston. Watson s works several of which have been republished by the Trust are a legacy that have continued to be a blessing to those who love sound, heart-searching exposition of the Scriptures.

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